Play Along Piano

Tags

Baroque

DrThorg

2:23	Est. Play Time
63	Measures
	1,044Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	21	0	2	10	95%
Violoncellos	16	0	2	5	84%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	21	2	10	95%
Violoncellos	16	2	5	84%
Violins 1	20	0	6	51%
Violas	9	0	5	41%
Violins 2	10	0	6	30%
Double Bass	6	0	3	27%

Movement II — Concerto for Two Chalumeaux in D Minor (Telemann)

Benjamin Davidson

3:10	Est. Play Time
91	Measures
	1,195Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	6	2	4	24%
	24	18	8	5	87%
Violoncello	22	0	5	4	87%
Violin	26	0	11	3	76%
Chalumeaux 1	15	0	4	10	66%
Viola	16	5	4	4	54%
Chalumeaux 2	15	0	3	6	45%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%

HWV1A2N14 "Nein, nein, Fernando, nein!"

edward.maurath

2:11	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	5	100%
Almira	14	0	3	6	52%
Fernando	14	0	4	6	46%
Harp	19	25	6	4	42%
	13	11	3	4	42%
Harpsi	16	17	4	3	33%
	17	15	5	3	33%
Lute	17	17	6	2	25%
	21	15	7	2	29%
Osman	11	0	1	3	17%

While My Guitar Gently Weeps Baroque Style

Carlos M. R. Coelho

3:00	Est. Play Time
92	Measures
	1,395Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cravo	24	19	5	9	98%
	19	10	4	2	100%
Violoncelo	21	5	5	7	100%
Violino	24	8	5	5	82%
	22	3	6	8	88%
Fagote	17	0	2	5	75%
Oboé	12	0	1	7	64%
	11	0	1	5	49%

HWV7A2N0b "Siam prossimi al porto" (1731)

edward.maurath

2:15	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	27	58	6	8	99%
	23	23	6	7	100%
Violoncello	22	0	6	7	100%
Goffredo	14	0	4	7	57%
Violins	12	0	2	6	41%
Kontrebaß	15	0	1	5	40%
Violoncellos	15	0	1	5	40%

HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major

edward.maurath

2:40	Est. Play Time
134	Measures
	1,102Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cemballo Continuo	17	17	2	4	94%
	19	20	3	4	100%
Double Bass Continuo	16	0	2	4	94%
Violin 1	20	0	2	5	94%
Violincello Continuo	17	0	2	4	94%
Viola	17	0	2	5	93%
Violin 2	18	0	3	5	93%
Bassoon Continuo	17	0	2	4	89%
Bass as Clodomiro	16	0	3	5	65%
Oboe	12	0	0	5	29%

Rondo e-moll

jan.gasper.0

3:04	Est. Play Time
77	Measures
	1,305Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	13	16	2	5	100%
	15	0	2	4	100%
Violončelo	15	0	2	4	100%
Husle	12	0	1	4	68%
	9	0	1	4	68%
	17	0	2	5	77%
Zobcová flauta	15	0	2	5	42%
	15	0	2	5	40%

BWV245N2 - EVANGELIST Jesus ging mit seinen Jungern

edward.maurath

3:07	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
View all 22 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello Continuo	21	0	8	5	100%
Evangelist	16	0	5	4	77%
Cembalo Continuo	16	30	7	4	67%
	21	2	9	4	72%
Organo Continuo	20	18	6	4	49%
	20	3	5	4	51%
	18	0	5	4	49%
Bassoon Continuo	16	0	3	3	26%
Contrabassi Continuo	16	0	3	3	26%
Oboe 1	17	0	5	3	26%
Viole	17	0	3	2	26%
Violini 1	20	0	3	2	26%
Violini 2	16	0	3	2	26%
Violoncelli Continuo	16	0	3	3	26%
Oboe 2	17	0	5	3	23%
Alti	11	0	2	5	21%
Bassi	15	0	4	4	21%
Jesus	12	0	2	4	21%
Soprani	10	0	1	4	21%
Tenori	12	0	3	4	21%
Flute 1	14	0	1	2	13%
Flute 2	14	0	1	2	13%

"D'allor trionfante si" from "Il Pastor Fido," HWV 8

edward.maurath

3:15	Est. Play Time
60	Measures
	1,147Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	22	61	13	6	96%
	19	33	9	5	92%
Violoncello (Continuo)	16	0	9	4	92%
Violini 1	14	0	8	6	80%
Violini 2	14	0	8	6	80%
Contrabassi (Continuo)	14	0	8	4	73%
Violoncelli (Continuo)	14	0	8	4	73%
Soprano as Eurilla	12	0	8	6	68%
Bassoon (Continuo)	9	0	0	3	42%
Bassoon (Viole)	8	0	0	4	42%
Oboe 1	11	0	0	4	42%
Oboe 2	11	0	0	4	42%
Violas	8	0	0	4	42%